Anomalies travel from wood to paper to the retina. The information is picked up in pieces and processed in the world of mind; the expectations to exist and be “real” and those “ideas” become synonymous with “differences.” These "printed matter" series which I have begun in 2016 are exercises in finding notations that constructed text fields. These evolved into the notated collage work exploring boundaries of fiction, theories, and news. Damaged or devalued books are opened up to create a flow in an attempt to resuscitate a new algorithm, in sculptural and animated forms. These works are a type of antithesis to contemplate on when the battery runs out of our handheld gadgets.

 

Kio Griffith Echo Chamber 03

Echo Chamber, 2018

(found 78rpm record album sleeves, cardboard, wood, packing tape)

 

Kio Griffith Probability And Statistics For Engineers

Probability And Statistics For Engineers, 2018

(found book cover, cardboard, jewel case, packing and vinyl tape)

 

Kio Griffith Sonata For Anti Democratic Formalism Kio Griffith Sonata For Anti Democratic Formalism 03

Sonata For Anti Democratic Formalism, 2018

(offset print on cardboard, jewel case, glue cap, paper clip, packing tape, wax)

 

 

Kio Griffith Westminster Hi-Fi 02

 

Westminster HI-FI, 2018

(found album packaging, cellophane tape, marker)

 

 

Kio Griffith Rehearsal For Destruction 03

Rehearsal For Destruction, 2018

(found book, cardboard, wood, acrylic gel, wax, glue cap, packing and masking tape, sandpaper, chopsticks, clip, enamel, concert wristband, fortune cookie fortune)

 

Kio Griffith The Paranoid Style In American Politics

 

The Paranoid In American Politics, 2018

(book, wax, chopticks, cellophane, vinyl and masking tape, marker, clip)

 

 

Installation Views

Kio Griffith Dyads 03 Kio Griffith Dyads 02Kio Griffith Dyads 04