Anomalies travel from wood to paper to the retina. The information is picked up in pieces and processed in the world of mind; the expectations to exist and be “real” and those “ideas” become synonymous with “differences.” These "printed matter" series which I have begun in 2016 are exercises in finding notations that constructed text fields. These evolved into the notated collage work exploring boundaries of fiction, theories, and news. Damaged or devalued books are opened up to create a flow in an attempt to resuscitate a new algorithm, in sculptural and animated forms. These works are a type of antithesis to contemplate on when the battery runs out of our handheld gadgets.

 

Echo Chamber, 2018

(found 78rpm record album sleeves, cardboard, wood, packing tape)

 

Probability And Statistics For Engineers, 2018

(found book cover, cardboard, jewel case, packing and vinyl tape)

 

Sonata For Anti Democratic Formalism, 2018

(offset print on cardboard, jewel case, glue cap, paper clip, packing tape, wax)

 

 

 

Westminster HI-FI, 2018

(found album packaging, cellophane tape, marker)

 

 

Rehearsal For Destruction, 2018

(found book, cardboard, wood, acrylic gel, wax, glue cap, packing and masking tape, sandpaper, chopsticks, clip, enamel, concert wristband, fortune cookie fortune)

 

 

The Paranoid In American Politics, 2018

(book, wax, chopticks, cellophane, vinyl and masking tape, marker, clip)

 

 

Installation Views